Common Places: The Poetics of African Atlantic Postromantics.
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This is to say that just as "Romanticism" can still dependably refer to a small canon of late eighteenth--and early nineteenth-century British poets, "American Romanticism" can be counted on to mean what continues to be taught as the canon of nineteenth-century American literature, which, as Maurice Lee has recently shown, remains like British Romanticism stubbornly canonical. An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.
Read preview. Read preview Overview. Walt Whitman By James E. Miller Twayne Publishers, Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts. Salvage Work: U. By Angela Naimou.
Fordham UP, Salvage Work is invested in disentangling the legacies of the archive of slavery in contemporary forms of personhood that on the surface would seem unrelated to race dynamics. To encounter a new poetics of legal personhood, Naimou turns to contemporary aesthetic practices that show an ethical engagement with the lacunae of the archives of slavery.
Sociopolitical (i.e., Romantic) Difficulty in Modern Poetry and Aesthetics | Romantic Circles
In this process, Naimou develops a cohesive genealogy of the diverse sites haunted by the legal racial slave and effectively demon- strates its pertinence to explorations of contemporary juridical subjectivities. The second question that the chapters of Salvage Work elucidate con- cerns the narrative strategies that contemporary authors have employed to narrate forms of personality that remain outside the bounds of legal and narratorial representation.
The narratives that Naimou examines often inscribe themselves in traditional genres such as the immigrant novel, the bildungsroman, and the romance novel to complicate their rhetoric of unencumbered incorporation of the individual into society or the successful union of legacies into a totalized national narrative. Tracing connections between these novelistic structures and the processes of incorporation of ideal subjects into a legal system , Salvage Work explores how contemporary literary works reconfigure such genres as they evince the impossibility of a lineal, unified, and uninterrupted completion of their traditional teleolog- ical plot lines.
Meaning of "postromantic" in the English dictionary
Throughout her readings, Naimou demonstrates the importance of reading contextually and attend- ing to the specificities of each experience when exploring the violence and exploitation that is enforced by different legal, economic, political, and national apparatuses. In her genealogies of contemporary legal personae, CLS Salvage Work does not conceptualize naive forms of liberation.
Rather, it provides new ground from which we can begin to rethink the legal identities that we wear. Department of State or the government of Spain. By Stephen M.
A refereed scholarly Website devoted to the study of Romantic-period literature and culture
Charlottesville: University of Virginia Press, Mexico is as important to the study as the Caribbean, and not only European but also indigenous and African influences are discussed. The latter epoch —41  is given heuristic cohesion through two opposing images: the House of the Americas in Washington, D. This bond was based on commerce, socio-economic modernity that followed a US model, and the belief that CLS In each chapter, he returns to a PAU text or event and shows how the authors, artists, and intellectuals affirm and trouble the harmonious, one- sided cultural and political unity proposed by the organization.
Themes are explored in a variety of texts, literary, artistic, and cultural, and they carry over from one chapter to the next smoothly. He always makes the connections clear between the works compared.
His prose is limpid and engaging, and the reader will not get lost in unnecessary jargon, convoluted syntax, or unexplained allusions, especially since photographs of visual art and architecture are interspersed. The chapter on Williams contextualizes him as part of the Mayan Revival, including discussions of architecture and popular representations of archaeology. The snake- serpent represented rupture with the past and a culturally hybrid future for the Americas 57— Lawrence to different ends. Though US liberals like Agee and Evans, Stuart Chase, and Carleton Beals criticized capitalist exploitation in both regions, they were still paternalistic toward the oppressed , While Lee focused on women of privilege, boricua union activist Luisa Capetillo was an anarcho-feminist with inter-American goals Castillo is also placed in dialogue with the travel writings of Anglo feminist Erna Fergusson in Mexico This experience inspired her to develop dance as a mode of decolonizing knowledge and envision her own Black Pan Americanism through continued travel, scholarship, and performances , It created a US-centered archive of information on a storehouse of objectified people and material resources Park uses cultural studies to bridge the Americas in a way more canon-focused writers do not.
His position as a US English professor who writes like a Latin Americanist will no doubt contribute to future dialogue between frequently segregated departments. It will appeal to literary and cultural studies scholars, but also cultural and art historians and other humanists. His readings are always innovative, as he makes clear through a clear command of the aesthetic and political approaches to prose, architecture, and photography as well as the scholarship on the works he studies.
He frequently draws on the post-colonial theory of Mary Louise Pratt and Walter Mignolo, but he clearly has his own voice as a critic. The amount of information he distils into six full chapters is impres- sive, but my one criticism is the absence of Brazil in his portrait of the Americas. Perhaps it is due to a language barrier or the continued problem of blindness of many Hispanists and English scholars alike regarding Brazil.
Perhaps he could do so in his future projects. By Seanna Sumalee Oakley.
New York: Rodopi Editions, She compares them both in terms of their reiteration of Romantic utopian motifs and the subtle but crucial differences in their recourse to the notion of enlightened universality. More precisely, this paradigmatic shift enables Oakley to discern the recurrences of emancipatory motives amongst literary works from the European and Afro-Atlantic modernist traditions. Such recurrences point toward patterns of iteration of modern literary forms throughout space and time.
This effect she calls itineration: lieux-communs itinerate such tropes by securing the singularities upon which they in turn depend. By contrast, while decidedly subscribing the Promethean drive of European Romantics and its successors, African Atlantic literary conveyances of lieux communs do not necessarily voice those utopian commitments within the same mythopoetic unconscious.
Therefore, the hermeneutics of dismissal like those articulated by Bersani miss the mark.